And now those songs are just a slice of more than 65,000 others that have been bought up by Hipgnosis in the last couple of years. You see, just last year, Christine McVie of Fleetwood Mac decided to sell the rights to her entire song catalogue to a UK-based investment trust called Hipgnosis Songs Fund. But what is new is who owns the rights to this song and who makes money every time it gets played. Now, of course, it’s nothing new to hear a popular song playing in a commercial. And if you couldn’t tell by the signature sound of those twinkling bells at the beginning, it’s the 1987 Fleetwood Mac song Everywhere that’s playing in this ad for Chevrolet.įrom Bolt to Blazer, Equinox to Silverado . . . Chevy EVs are for everyone, everywhere. The sun is shining, and everyone’s bobbing their heads or dancing in their seats or singing along to this one song.Īnd that song, it has this really familiar, effortless, poppy 1980s vibe. As the Times of New York pitched it, he just needs time.It shows different groups of people driving around in brand-new electric trucks and SUVs. However Williams, I suspect, could still untie the knotty problem that is Givenchy. It’s good to speak to everybody.” Even if the risk in trying to speak to everyone is that you end up connecting with no-one. The beautiful thing about the brand is that it speaks to different women. So we built the collection together-it’s a dialogue between us. And that it would be more dramatic in the rain.” He added of Roitfeld’s involvement: “She understands the house and the Parisian woman. And the liquid in the hair… it would look incredible. Was Willams losing his mind when that storm came in? He feigned calm, saying: “I was thinking that their skin would look beautiful with the water on it. So this is a house with codes, after all. These, Williams said afterwards, were part of a series of archival looks that he and Roitfeld had dug up from the archives and reworked. Another dress was tied up at the back in a series of bows: simple but lovely. A red dress featured a gorgeous swooping rear hemline that curved from the shoulder to sacrum. The closing phase was rather magnificent, although the party was often at the back. He’d brought in Carine Roitfeld-no longer working with MaxMara-as a stylist and shifted the emphasis of what that newspaper’s writer Jessica Testa inferred was a house with no distinct codes. A fascinating piece in the New York Times had already created an anticipatory contextualization for what was a radical shift under Matthew Williams. You were better off wearing dark pants-that cork stained.īy the time the first models emerged there was blue above. We wiped them down and sat on our umbrellas to avoid getting soaked unmentionables. The set-up was a runway and benches made of cork. What had seemed an imminent catastrophe was scaled down by the time we arrived to mere potentially preventable disaster. Luckily Valentino had started so late, and, thanks to footwear dramas, gone on so long, that the fashion traffic jam was around 30 minutes late squeezing its way to this show. At the moment this Givenchy show was due to start in the Jardin des Plantes-outdoors-it was raining in a concerted and highly depressing manner.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |